This video is already long with its 4 minutes duration. I prefer to squeeze the best out of my project and not fall into the trap of “clips stacking” for the sake of it. I also have a lot of unused sequence that I shot but didn’t make it to the final video. When I started hyperlapse I had to discard 80% of my sequence, now I can keep 70-80% of my clips. What I can tell is that I finally achieved a good ratio of shooting attempts / keeper sequence. The number of shots and TB of hard drive is not a good metric and does not give any indication regarding the quality of the final video. Honestly I have no idea of the number of pictures taken and I find this point completely irrelevant. Canon FD 50mm f/1.4 and custom made gimbal (Alexmos).Dynamic Perception Stage One & Stage R with NMX controller.
TBS DISCOVERY PRO CAM SWITH NO VIDEO FROM GOPRO PRO
In average, one second of video takes 1 or 2 hours of work and I don’t even count the failed attempts (either I fucked up, light was wrong or something/someone messed with my sequence on site). Oliver has been so nice to share quite many details on his video, so here they are! About the “Miami Derezzed 4K” video It took me a while to capture the hyperlapse sequence correctly (must be very very accurate) and then do the post-stabilization frame by frame. My first attempts were very bad and most sequence went to the trash bin. I started this project 2 years ago with hyperlapse experimentation.
“Unlike cities such as New York, Paris or Dubai, no one ever did a real hyperlapse video of Miami so I had to fix this.” What is no one has ever done a top notch hyper-lapse video on your favorite city? Oliver has grabbed his camera, and started shooting.
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